GINA PERFORMA is:
-Parched
-Thirsty
-Hungry
-Famished
-Peckish
-Starved
-Starving
-Craving
-Running on empty
-Dying
To Get:
With it
To Bring:
Everything
To Do:
As much as possible
SATURDAY, NOVEMBER 7, 2009
Quote of the day: “I hate the color blue. I hate it so much!” –Some guy on the street while walking to Cold Water exhibition
Performance 1 (Workshop)
Artist: Project Projects
Title: Actions Propaganda
Date: Saturday, November 7, 2009
Time: 11:00AM
Venue: The Performa Hub
Geographic Location: Cooper Union
REALNESS Present (in all caps):
-DEFNE AYAS REALNESS
-PLYWOOD REALNESS (repeat)
-SLIDESHOW REALNESS
-POSTER REALNESS
-MOLLY REALNESS
-POSTER MAKING REALNESS
-ACTIONS REALNESS
-ETHICAL ISSUES REALNESS
-FALLEN FRUIT REALNESS
-DEAD BATTERY REALNESS
-WALK IT TO K-MART REALNESS
-GINA PERFORMA INTERRUPTING PHOTO SHOOT REALNESS
-CHECK-OUT REALNESS
-COLLAGE REALNESS
-FELLOW WRITING FELLOW REALNESS (repeat)
-ROSELEE GOLDBERG REALNESS (five-peat)
-PHOTOCOPY REALNESS
-PROPAGANDA REALNESS
-GLUE STICK REALNESS
-SHARPIE REALNESS
- PERFORMA HUB REALNESS
Performance 2 (Exhibition)
Part of the Lust Weekend
Artist: Various (curated by Justin Bond and Hilton Als)
Title: Cold Water
Date: Saturday, November 7, 2009
Time: 6:30PM
Venue: La MaMa Galleria
Geographic Location: The East Village
REALNESS present (in the dark; in all caps):
-GLITTER REALNESS
-DIPTYCH REALNESS
-JUSTIN BOND REALNESS
-TENDRILS REALNESS
-ANAL REALNESS
-PUCKER REALNESS
-PHALLIC FORMS REALNESS
-POLAROID REALNESS
-ERECTION REALNESS
-NO NAME PLATES REALNESS
-GOLDEN SHOWERS REALNESS
-TV ON THE FLOOR REALNESS (x2)
-MANNISH FACE REALNESS
-ETHEREAL REALNESS
-ANGRY BUNNIES REALNESS
-theo REALNESS
-BLEEDING VAGINA REALNESS
-BABY FACE REALNESS
-HIGH ANXIETY REALNESS
-SEWN @ THE HEAD REALNESS
-QUEER REALNESS
-CONFETTI REALNESS
-THE GLAMOROUS MASK REALNESS
ARCHITECTURE, LUST AND ICE: A MANIFESTO WITHOUT A CALL TO ACTION
You don’t walk through the city
The city walks through you
Behind each step is a blueprint
designed by some man
“Who says I like right angles?
These are not my laws,
These are not my rules…” ◊
Men’s designs
Designing the way your body moves
It is no coincidence that a woman is credited
with inventing the external fire escape;
her most significant contribution to the complexion of the cityscape–
an emergency exit
Woman’s answer to a life lived within
the burning paths and platforms
dictated by the cult of men
We don’t have to leap to our deaths from the windows anymore
We can climb down
Like ladies
I mean, really-
Isn’t there just a little rape
in every print your foot leaves
along the callous corridors, the corners
of this sluggish,
stubborn,
impossibly phallic
nineteenth-century city?
“Too cold,
and old,
and settled in its ways…” ◊ ◊
I can still smell the cigars
No?
Isn’t the shape your feet assume–
as you t’sk from task to task
throughout your day (like a good little girl?)–
designed by men?
Molded by high heels
Warped
As if squeezed out of shape
by the jealous,
knotted hand of man?
While the flat foot of woman,
blunt,
strong,
level,
through which she would draw her natural power out of Mother earth,
is contracted,
skewed,
and swung into a soft, harmless…
tilde
~
by the erotic imagination of men:
By design,
woman’s position of power has been
literally and figuratively
abbreviated
Even her footprint is bisected,
shrunk,
a point and a triangle,
a strange, abstract geometric proposition
We are meant to teeter
over cobbled stones
To stumble
over subway gratings
To tumble over
turnstiles
We are,
designed by men,
to be mysterious
and unstable
~
But I love men
Or,
rather,
I love to love men
“Lust is a force…
Art and war are the great manifestations of sensuality; lust is their flower,”
so said Valentine de Saint-Point
Lust has driven me to wage war with men,
and to make art of them;
has served as a source for creation
from the very destruction lust catalyzes
These words are a propaganda
for that war,
for that creation–
to both of which I am inexorably bound
I have wandered the city streets looking for men
Finding them
Watching them
Haunting them
Dealing with them
and their
PATRIARCHITECTURE
their fortresses
their erections
Excavating their
quiet faults and secret vulnerabilities;
the soft places you can
touch and smell
only if you get past the security guard:
the powerful warmth
coming off the naked pelvis
the phallus–hard and dumb–
moving toward you
the loins, ticklish and round
the furry cradle of the perineum
the delicate pleats
of the anus;
cinched;
autumn leaves;
aromatic;
hot
like his wet breath
and the sweat trapped
between his body
and my back
heavy heat
steam releasing strength
scalding
the burn
of a ribbon of semen
when it first strikes the skin
before
it gathers
and quiets
and settles into a deep pool
Cold Water
A drink
A quench
Ice water in a glass gathers perspiration
and sits tilting on the arm of a chair
I want to dive into that glass
and ice
and cold water
In a flash,
and float
Shimmering wet cold enveloping
Skin puckering
Shivering pale
Your cold water
The boy is naked there
Floating wet and cold
And even the glassy beams of sun that
reach him in the bottom of the swimming hole
are chilling, like…
Icicles
Icicles
“Where are you going?” ◊ ◊ ◊
Lust has kept me in this city
When long ago
“I should have flown” ◊ ◊ ◊
“Oh-oh, oh-oh-oh Desire” ◊ ◊ ◊ ◊
My Foe
My Failure
My Ruin
Ruin
Ruin
Ruin
Ruin
Ruin
Ruin
Ruin
Ruin
Ruin
Ruin
Ruin
Ruin
Ruin
Ruin
Ruin
Ruin
Ruin
Ruin
Ruin
◊ From “I’m No Heroine” by Ani DiFranco
◊ ◊ From “California” by Joni Mitchell
◊ ◊ ◊ From “Icicle” by Tori Amos
◊ ◊ ◊ ◊ From “Sawdust and Diamonds” by Joanna Newsom